Category Archives: Alternative theatre

“A Stretch of the Imagination” – rave reviews, 1976

“A Stretch of the Imagination”, a one character play by Jack Hibberd, has been staged many times in many places with different actors in the lead. It has become an Australian classic.

In 1976, when staged in the back theatre of the Pram Factory, the character of Monk O’Neill was played by Max Gillies (directed by Paul Hampton); and the play and performance received rave reviews. Copies of three of those reviews appear below. (The play, with the same actor and director, was staged again at the Pram Factory – this time in the front theatre – in Aug/Sept 1977.)

Neil Jillet described the play as “probably the most beautiful Australian play ever written”; Bob Crimeen said “Hibberd’s masterpiece of hallucinations and shattered dreams gives Gillies the chance to prove his mettle in tragic-comedy”; and a writer for the Sunday Press said “This study of a singular man is Australian writer Jack Hibberd at his best …. Max Gillies as Monk O’Neil, is brilliant and gives Melbourne … the performance of the year”.

(“A Stretch of the Imagination” was first performed at the Pram Factory in 1972, with Peter Cummins as Monk O’Neill, directed by Jack Hibberd.)

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“Phar Lap …” brochure (Turf Notes) – 1977

The Australian Performing Group staged “Phar Lap – it’s Cingalese for lightning, y’know”, written by Steve Mastare) (aka Stephen Mastare, Stephanie Mastare and Ess Mastare), at the Pram Factory theatre in March and April 1977.

Director: Paul Hampton. Cast: Susy Potter, Claire Dobbin, Phil Motherwell, Alison Richards, Wilfred Last, Greig Pickhaver. Design: Micky Allen, Carol Porter. Lighting: Ian McKenzie. Original Music: Andrew Bell. Poster: Bob Daly. Props :Ursula Harrison. Costume: Freda Rowed. Sound Operator: Margot Nash.

Below is a copy of “Turf Notes”, a publicity brochure for the programme.

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“Smack in the Dacks/Smackin the Dacks” bad reviews – 1977

It’s fair to say that Melbourne theatre critics, Leonard Radic and Neil Jillet, did not like the APG’s “Smack in the Dacks”. Below are copies of their reviews: Leonard Radic in The Age (Nov ’77) and Neil Jillett in The Herald (21/11/77).

Picture, The Age, Nov “77

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APG Meetings: A few Minutes and Reports – early 1976

  • Agenda 22/12/1975
  • Executive report 22/12/1975
  • Minutes of Collective Meeting 22/12/1975
  • Minutes of Collective Meeting 29/1/1976
  • Minutes of Special Collective Meeting 9/2/1976
  • Minutes of Collective Meeting 16/2/1976
  • Agenda AGM 29/3/1976
  • Executive Report 29/3/1976
  • Format for radio show “Looping the Loop’ 29/3/1976 (Bill Garner)
  • Proposal by Jon Hawkes “To set up a limited liability company which will make low budget films” – 29/3/1976
  • Minutes of AGM 29/3/1976.
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“The Perambulator”- APG Newsletter – January 1979

Contents:

  • “New Economic Policy for 1979” by Bill Garner
  • “Gang of Three Report” by Kerry Dwyer, Wilfred Last and Richard Murphet
  • “New Space” by Bill Garner
  • “The Pram Social Club” by Bill Garner
  • “Circus Oz at National Gallery” by Robin Laurie
  • “Films at The Pram” by Kerry Dwyer
  • “Dimboola: the film” by John Timlin
  • “100 Artists”
  • “Nightshift on the move”
  • “On not being treated like a minority” by John Romeril
  • “The Young and the Jobless” by Alison Richards
  • “Comings ….. and Goings”
  • “Radio Run Out” by Greig Pickhaver
  • “The Originators”
  • “The APG: Ten years ago”
  • APG Records
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Poster for The Radio Active Horror Show – July 1977

The Radio Active Horror Show was written by John Romeril and the group.  Credits for cast, crew, writers, publicity and other persons (excluding office workers) are on the back of the poster.

Poster – A3 – top half
Poster – A3 – bottom half
Poster – A3 – back – top half
Poster – A3 – back – bottom half

APG Newsletter March 1977

NEWS ——— Phar Lap; Soapbox Circus; Stasis; 1976 in review; Radio on the Run; The Hills Family; A Stretch of the Imagination; uranium; hypnotism; 1977 plans; Union Theatre Department; Income and Expenditure 1976.

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APG promotional newsletter for National Campus Tour 1976

This campus tour/roadshow – scheduled for winter and spring of 1976 – is described in the newsletter as follows: “The 90 minute show is a combination concert, electric circus, vaudeville and political cabaret”

APG News Campus Tour page 1

APG newsletter, National Campus Tour, 1976, Winter/Spring, page 1

APG News Campus Tour page 2

APG newsletter, National Campus Tour, 1976, Winter/Spring, page 2

APG News Campus Tour page 3

APG newsletter, National Campus Tour, 1976, Winter/Spring, page 3

APG News Campus Tour page 4

APG newsletter, National Campus Tour, 1976, Winter/Spring, page 4

APG News Campus Tour page 5

APG newsletter, National Campus Tour, 1976, Winter/Spring, page 5

APG News Campus Tour page 6

APG newsletter, National Campus Tour, 1976, Winter/Spring, page 6

APG News Campus Tour page 7

APG newsletter, National Campus Tour, 1976, Winter/Spring, page 7

 

APG News Campus Tour page 8

APG newsletter, National Campus Tour, 1976, Winter/Spring, page 8


 

“Domestic Contradictions” APG radio show on ABC in 1977

In 1977 several members of the Australian Performing Group (APG), together with Marius Webb, a radio producer at the Australian Broadcasting Commission, put together a series of radio programs titled “Domestic Contradictions”.

Just before the program was due to go to air (June 1977) the series was banned by ABC management.  But after protests by  a “prominent actors group” and  after making some “minor alterations and deletions”,  the program was re-instated (July 1977).

“Domestic Contradictions” was written by Bob Daly and Bill Garner (APG members) and Peter Dickie (an anti-capitalist political cartoonist). Publicity and the show’s narrator described it as:

“… the continuing story of a rare experiment in building socialism in one room – the Blue Hills of collective living.”

The performers/voices from the APG were  Max Gillies, Evelyn Krape, Fay Mokotow, Bill Garner and Tony Taylor, and the music was by Jack Weiner of the APG.

Two years after “Domestic Contradictions” went to air on the ABC, Greig Pickhaver of the APG (who went on to be HG Nelson) said the program was “the Pram’s most ambitious and successful radio exercise” (The Perambulator, Jan 1979).

Most of this information about the program comes from newspaper reports in The Age and its radio and TV guide, The Green Guide, copies of which appear below.

Although reportedly a nine-part series,  copies of twenty episodes can be found on the YouTube channel of VancePackardTV (whoever that is!).  I have prepared a schedule of those 20 episodes with  links to the YouTube videos. See below.

Note: “Domestic Contradictions” was also broadcast on Melbourne’s community radio station 3 CR

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Soapbox Circus performs “Smackin The Dacks” (or “Smack in the Dacks”)

Soapbox Circus and the Matchbox band performed “Smackin The Dacks” at the front theatre of the Pram Factory from 17 November to 24 December 1977. Below is a copy of the brochure/programme for that season (including advertisements), plus copies of two APG PR papers. (Updated 11/10/2021)

Leading performers: Alan Robertson, Jon Hawkes, Robin Laurie, Laurel Frank, Helen Sky, and Michael Price. Band: Tony Burkys, Jim Conway, Mick Conway, Rick Ludbrook, Gordon MacLean, Peter Muhleisen, and Colin Stevens. Credits also are given to Bob Daly, Richard Murphet, Carol Porter, Rose Chong, Margot Lindsay, Kelvin Gedye, Ponch Hawkes, Tim Caldwell, Sue Broadway, Chips Mackinolty, Richard East, Mary Duggan, Fay Mokotow ” and an antfarm of friends and helpers” including: Charlie Aarons, Sally Clifton, Eve Glenn, Ursula Harrison, John Konig, Bayne Laurie, Esther Naylor, Shuvus and Mark Tanner.

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